I am often asked how to get permission to publish hymn arrangements (LDS hymns). The Church encourages us to use our talents, both commercially and as a service, and makes the permission-getting process fairly easy.
1. To apply for permission, you need to have a completed arrangement available to send as either sheet music (PDF) or an audio file (MP3).
2. When you’re ready, you can download the permission form via the Church’s official website: lds.org. Find and click the link at the bottom of the page titled “Rights and Use Information.”
3. On the “Rights and Use Information” page, find and click the link near the bottom of the page titled “Copyright Request Form.” This is a Microsoft Word document that you fill out and email to cor-intellectualproperty@ldschurch.org. (Be sure to attach your PDF or MP3 file to the email as well as the Copyright Request Form.)
4. In about 4-6 weeks, the Church’s intellectual property department will respond with a letter indicating the status of the copyright permission. If the arrangement is appropriate, and copyright permission is granted (from the Church’s point of view), there are several possible next steps. Often the music and text are copyrighted separately, especially for poems later set to music. Thus:
a. If the Church owns the copyright for the music and text, they will often give permission to use free of charge or for a very nominal royalty fee (as little as $.01 per copy).
b. If other authors, composers, or organizations own a copyright, either jointly, with the Church, or separately, you will need to also get their permission to copy. (You will need copyright permission from EACH copyright holder and may need to pay a royalty fee to EACH copyright holder for each copy sold or distributed.) The Church usually provides name and contact information for the copyright holders.
c. Any work, or part of a work, that is considered “public domain“ can be freely used by any composer or arranger without copyright permission.
Many of the hymns fall into this last category, but some have new arrangements (harmony/melody) or additional (or altered) verses that thereby create a copyright for the author, composer, church, or other organization. Just because a hymn is “old,” doesn’t mean it is in the public domain. The safest course is to check with Church for copyright status on any hymn. This copyright permission service is provided free for any inquiry, even commercial endeavors.
In my experience, most copyright holders are very sympathetic and encouraging, especially to new artists. They will usually ask for a very reasonable royalty payment (often just enough to guarantee that others will know they still hold the copyright) and be genuinely interested in your success. Be sure to keep a record of your written permissions on hand; copy centers and church librarians will not (and should not) copy your arrangement without a copy of the written permission.
5. Once you have written permission from each of the possible copyright holders, you can then sell or distribute copies of your arrangement according to the terms of license. (Incidentally, royalty payments are usually tracked and paid each quarter unless sales are very small, in which case most copyright holders will accept an annual payment.)
Generally, you will need to include credit for the artists (i.e., “‘Where Can I Turn For Peace?’ by Emma Lou Thayne and Joleen G. Meredith © by Intellectual Reserve, Inc. Used by Permission.”) as well as a standard disclaimer (“This product is neither sponsored nor endorsed by The Church of Jesus Christ of Latter-day Saints.”) on each copy.
That’s it. Good luck with your arrangements!







Great question, Atuo! The process for getting permission is the same for written music as it is for recorded music. You should still contact cor-intellectualproperty@ldschurch.org. You generally will need to send an example of the recordings so they can become familiar with your style and make sure it’s appropriate to the hymn. Good luck with your CD!
can I be allow to produce hymnal audio CD? The thing is that all the songs will be from the selected hymns. And I do not know how to get the permission. From whom should I obtain such permission. There are several hymns, not by one composer or the writer of the hymns.
How do I start? Give me some guidelines. I would be gratefult to you
from:
atuo.sami@yahoo.com
Thanks for your comments, Eric. I think you pose an excellent question (and I hope my answer isn’t too ambiguous!).
Like all things musical, I think the line between “interpretation” and “arrangement” is largely subjective. Most musicians I know would probably say that the arranger needs to make a significant contribution to the tune before calling it an arrangement. But, “significant” is probably in the eye of the beholder (or at least the publisher). Personally, I think I would draw the line between 4 and 5 (though most of my arrangements look exactly like number 7). I’ve often seen published music that “looks like” numbers 4, 5, or 6 that say “additional music by” or “harmony by” or “accompaniment by” instead of “arranged by.” Sometimes it may read “alt.” (altered), though that usually applies to the text.
On another (entirely subjective) note, I think that it’s important to keep the original tune intact as much as possible or it really becomes a new work altogether (example number 8). For example, see ‘Tis Sweet to Sing the Matchless Love (Hymns #176 and #177), or Away In a Manger in HYMNS versus the Children’s Songbook version. (Same principle applies to text/lyrics, a la My Country ‘Tis of Thee, #339 as opposed to God Save Our King, #341).
Hope this helps!
Hi Steve,
Thanks for your willingness to share your knowledge and music.
A question I’ve had is: What constitutes an arrangement? It seems like there is a spectrum of modification, and I don’t know at what point putting “arranged by” at the top and seeking copyright permission is appropriate.
For example:
1. I can copy a hymn as-is to hand out to the choir
2. I can write dynamics and instructions (this verse SA only) on a copy
3. I can copy the music into Finale or something to lay it out differently, just so that there is more room to add dynamics and instructions, but the music is still identical to the hymn book
4. I can do #3, but add a little interlude between verses that is still just another part of the hymn copied verbatim
5. I can do #4 but change a couple of notes here and there, and maybe add a repeat on a verse; maybe there are some verses written as unison
6. I can write a different accompaniment for the existing vocal parts
7. I can keep the melody but arrange the vocal parts and accompaniment from scratch
8. I can write an entirely new melody, parts and accompaniment for a hymn (e.g. Sally DeFord’s “Prayer is the Soul’s Sincere Desire”)
Thanks,
Eric